

Tresigallo: the metaphysical city that dreamed of itself
A rationalist dream suspended between dreams, symmetries, utopia and silence
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The metaphysical city
In the heart of the Ferrarese plain, among fields that are lost in endless horizons and silences that seem suspended, lies a town outside of time: Tresigallo, the "metaphysical town," the town that dreamed itself .
A bit of history: how Tresigallo was born.
Tresigallo is not a village that grew slowly over time, but an idea that became form. A place imagined before it existed, drawn with ruler and compass, desired in the 1930s by Edmondo Rossoni, the Regime's minister of agriculture and a native of the place, who made it his model town. Nothing here is random: streets intersect according to rational geometries, squares open up like stage wings, buildings dialogue with each other in an almost theatrical balance.
Why it is special: hymn to rationalist architecture
What makes it special is its unique and coherent appearance: a perfect example of rationalist architecture on an urban scale. Walking through Tresigallo is like entering a De Chirico painting : sharp lines, pure volumes, spaces that seem to await a presence, a gesture, a story. The low Emilia sky, the clouds veiling the details, all contribute to a suspended, unreal atmosphere.
Not to be missed: the central square of Tresigallo.
The must-see element? The central square, with its fountain, porticoes and Art Deco mosaics: here the gaze is lost in symmetries and reflections, and one feels at the center of an urban dream that has taken shape. Every building has a soul, from the cinema to the casa del fascio, from the school to the covered market: a city designed to live, produce, educate and share.
Fun fact: Tresigallo City of Art.
But there is more. Few people know that Tresigallo became a City of Art in 2004, precisely because of its uniqueness, and is a destination for artists, photographers, architects and the curious from all over the world. Every year it hosts events and exhibitions that tell of its visionary spirit and dual soul: rigor and poetry.
On tiptoe, in an architectural dream.
Tresigallo is a fascinating paradox: born of an ideology that time has swept away, today it remains as a trace, memory and warning. But also as an architectural dream that, precisely because of its coherence and silence, still manages to speak. Discovering it is an experience one does not forget. One need only cross the threshold of its geometry to feel time stop - or perhaps begin to move in a whole new direction.
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