The itinerary begins from the atrium of the Liviano, where visitors are welcomed by Giuditta Scalini, sculptor and wife of painter Massimo Campigli, who creatively and actively helped her husband in the execution of the work that took place, despite the difficulties, in only five months, in the autumn-winter of 1939.

The woman, in construction clothes and with blueprints in hand as she is portrayed in the fresco, with Gio Ponti, the architect who designed down to the smallest details the building wanted as the seat of some of the inst...